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Trilight

by Intelligentsia

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1.
2.
Panoply 03:38
3.
Techichi 03:58
4.
1985 04:16
“We turn on our computers And make music synthesized. Maybe that’s what you were like In nineteen eighty five? Our visions of the future Kept us focused and alive. Maybe that’s what we were like In nineteen fifty five? Breaking down our boundaries So that we can harmonise. Maybe that’s what we’ll be like So we can all survive?…”
5.
Trilight 04:29
6.
7.
8.
The Shreeve 05:07
9.
“We turn on our computers And make music synthesized. Maybe that’s what you were like In nineteen eighty five? Our visions of the future Kept us focused and alive. Maybe that’s what we were like In nineteen fifty five? Breaking down our boundaries So that we can harmonise. Maybe that’s what we’ll be like So we can all survive?…”

about

TRILIGHT is a music side project by INTELLIGENTSIA, that takes a varied and experimental excursion across film score soundtracks, electronica, progressive rock and techno pop. Musically the soundscapes concentrate on different forms of metallic instrumentation, giving them an overall and distinctive shiny or twinkly “TRI-LIGHT” sound. Music for piano and orchestra later develops into progressive electronica and rock, with the lead track, entitled “1985” being a nostalgic nod to the album composers first steps into music.

Bronwen Stephens, and Mimi Ward provide additional vocals, with MIRAI on vocoder, piano, drums, synthesizers and orchestration.

Recorded in Southend & Eastbourne UK, April to November 2023 AD
“1985” first composed in Tokyo 1991.


Vox: Bronwen Stephens (Nova Aurora, Future Imperfect), Mimi Ward (Panoply), Mirai (1985). Mouth FX on Trilight: Davi Stardust, and Mirai

Additional environmental FX (water/rain/sea/wind) recorded in Brighton and Eastbourne. U.K. - Extra Space FX: Freesound.org

Imagined and composed by MIRAI.

Thanks to: Naomi Nonaka for the MIRAI Hama bead art (8bit pixel art conversion by Mirai), James Munro for the Elka Synthex session, and Mio Shibuya for the Korg Monotron Delay.

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Hardware / synthesizers:
Korg Microkorg XL+, Korg Monotron Delay, Yamaha QY10, Roland Juno 106, Sequential Circuits 6-Trak, ELKA Synthex

iPhone / iPad: TonePad, SunrizerXS, Fractal Bits

Soft synths:
East West Symphonic Orchestra, Cherry audio ELKA-X, Halion 6, Retrologue, Padshop 2, Spector, Retro KZ, Synthwave KZ, Alchemy, Sculpture, Retro Synth, Requiem light

Drums:
Roland Octapad SPD-20, East West Stormdrum, Groove Agent, Addictive drums 2, Synthwave Drums, Drum Synth


All music files: 24bit 48khz.
Composed, recorded and mixed with Cubase Pro and Logic Pro.

credits

released December 16, 2023

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all rights reserved

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about

Intelligentsia UK

Composer Mirai & vocalist Bronwen Stephens splice layers of Synths & Opera, re-animating the machine world of electronic music. They have written soundtracks for Japanese video games & the national media, with music pressed to 250,000+ units while performing over 80 live events worldwide, including gigs with Susumu Hirasawa, Christopher Currell (ex-Michael Jackson Band) & Japan's Morley Robertson. ... more

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