An interplanetary concept album powered only by analogue synthesisers & spacefaring musical guests.
released April 13, 2014
COSMONAUT composed and sculpted by MIRAI.
Featuring live synthesiser performances by Morley Robertson (SERGE Modular Music System), James Munro (Elka SYNTHEX & Roland Vocoder VP330), Christopher J Wray (PROPHET 600), Ms.Hypnotique (Moog Etherwave Pro THEREMIN) and Mirai (Retro Synths, percussion and Simmons Drums)
Music for "Terrestrial" created by CJ.Wray
Featured Electronic Instruments:
Elka Synthex, Serge Modular Music System, Theremin (Moog Etherwave Pro), Roland VP330 Vocoder, Juno 106, JX3P, 808, 909, Sequential Circuits Prophet 600, Six-Trak, Yamaha CS5, CS30, Voice Spectra Vocoder, Doepfer MS404, Simmons Drum SDSV, Bias BS-2 Percussion, Boss DR110 Drum, Small Stone Phasor, Korg Minipops 7 Drum, Linn Drum LM2.
Back in 2008 we came up with the idea of creating an album that would recreate the unique audio soundscape that is generated by analogue synthesisers while bringing back the nostalgia that we heard through instruments from the 70's and 80's. The plan was simple: collect together and record only from analogue electronic instruments, coupled with the live composing restrictions that ageing technology brings to the table (detuning issues, bad chips, broken keyboards, no MIDI etc) while a call was made for other Cosmonaut fans and collectors of retro gear to guest on the album showcasing their own distinctive gadgets. This COSMONAUT music release also commemorates and coincides with the anniversary of Yuri Gagarin - the first human to journey into outer space, after his spacecraft completed an orbit of the Earth on 12 April 1961.
Notes on the album:
This is the most full on and lengthy track on the album, while being reminiscent of the Berlin School time length of Tangerine Dream, spliced with soundscapes more familiar to Jean Michel Jarre fans. There's a lot going in this piece, built from many sounds from most of the synthesizers listed.
From 6:00 onwards you can hear Morley Robertson introducing more experimental sounds via his Serge Modular and then around 7:50 James Munro joins the mix on Synthex and Vocoder.
. MILLENNIA (Alien Sunset Mix and Reprise).
This piece was first written in 1994 for an ambient project heralding the coming of the new Millennia (which instead appeared on our first album release: FEDERATION). Originally this was only going to be one track on Cosmonaut, but after I played around with the sounds and patterns further, a new version was born which I liked enough to feature. For some reason I kept seeing orange/red images of a Martian beach and alien sunset.
I was lent a broken Yamaha CS30 in our studio in Tokyo, and even though the keyboard was broken, its unique arpeggiator programmer was still working. So one night I sat down and recorded a one off session of myself playing it live.
Meanwhile I focused on sculpting a really lush string section on the Prophet 600. Although these are the only 2 sounds being used in this track, the resultant soundscape is immense. Christopher J Wray's composition here brings together a very emotional piece. What I am very happy about is that Chris played this in one recording session as well. No sequences or computers, just very raw analog sounds and 2 live performances.
A popular live show piece that I really wanted to convert to analog sequencing.
(I think a USA insurance company used the original version in their marketing).
This took a few weeks work, with recordings of around 48 layers of analog synths. The very metallic sounds of the Roland JX3P features a lot in this track, while you might be able to hear me in the background vocalising through the Korg VC10 vocoder.
. SPACE CADET
This track was originally called "Amoeba 3" which I wrote around 1996 while working for a Japanese video game company. I imagined various peculiar and cute aliens on a far away planet (and you can hear spacecraft flying overhead.)
Lots of liquid, bubbles and water sounds in this one. It's fun track which I hope will be used for a video game or animation one day. Ms.Hypnotique plays out the piece (and the album) on her Moog Theremin while giving the finale a slightly 60's kitsch and nod to our analog past.
Composer Mirai & vocalist Bronwen Stephens splice layers of Synths & Opera, re-animating the machine world of electronic
music. They have written soundtracks for Japanese video games & the national media, with music pressed to 250,000+ units while performing over 80 live events worldwide, including gigs with Susumu Hirasawa, Christopher Currell (ex-Michael Jackson Band) & Japan's Morley Robertson....more
A culmination of 2 years work brings you his experimental electro collage, bringing a youthful new outlook to this genre, while bridging the gap between contemporary electronica and old school Berlin Intelligentsia
If you make an album which is a tribute to a musical god it better be a good one...and this really is!. Paul has got it absolutely spot on and created a classic. This stands up to and above most tributes out there...superb. Robert Wallace